Marcel: Then why do you have all of this equipment?

Marcel is the first person narrator of the novel.

马塞尔是这部小说中的第一人称叙事者。

We don't need to worry about Marcel being a serious or moral vampire in any way.

我们完全不用担心Marcel是个很严肃或者很无趣的吸血鬼。

Make a marcel in a woman's hair.

把妇女的头发弄成烫发。

Oh, did you hear that, Marcel?

听见没，Marcel？

The architect Marcel Breuer probably never thought one of his seating designs would prompt a legal battle.

或许建筑设计师马歇布劳耶（Marcel Breuer）不会想到，他的座椅设计会引发一场法律争端。

A TV commercial featuring a Monkey reminds Ross of Marcel.

一支广告总是勾起罗斯对马赛尔的思念。

Oh, come here, Marcel! Oh, Marcel, come here!

Marcel，过来……

Oh, and don't forget Little Marcel.

别忘了还有小玛莎尔

Ross: Marcel, come here, come here.

Marcel，过来，过来。

which Marcel Pagnol adapted into his 1945 film, "Na? s."

它记述了本地一名驼背工人的故事，1945年，剧作家马塞尔·帕尼奥尔（Marcel Pagnol）将它改编为一部电影——《纳伊斯》（Na？s）。

Ross: "That" would be Marcel.

罗斯：“那”是马塞尔。

Marcel, would okay, just take him away.

Marcel……带它走好吗？

Ooe Kenzaburo's novels have provided precious references for Chinese modern literary production in the aspects of using native experiences, meditating upon national history, returning to tradition and making bold innovations.

大江小说在取用故土经验和反思民族历史、回归传统和大胆创新方面，对当代中国文学创作具有宝贵的借鉴作用。

206 cases with thoracic tuberculosis were treated by focal cleaning. 187 cases ( 91%) of them succeed by ooe time operation.

用病灶清除术治疗胸壁结核206例，一次手术成功187例（91%）。

With the increasing chitosan and catechol concentration and the increasing temperature, the gelation time decreased. The CV curves of chitosan/ PCQ hydrogel is also redox active.

PCQ与壳聚糖物理交联作用使溶液凝胶化，随壳聚糖和邻苯二酚浓度增大以及温度升高，凝胶化时间缩短。电化学实验证明该水凝胶是具有氧化还原活性的。

And he packed his tuxedo because he knew he was going to a big event in L.A.-a retrospective of Marcel Duchamp's work.

他还装上了礼服，因为他已经知道自己要去洛杉矶参加一场盛大的活动——马塞尔·杜尚（Marcel Duchamp）的作品回顾展。

We also have the humor which is rich and which has the audacity of tolerance', Paik implements radical and arbitrary recipes of art creations that evoke Marcel Duchamp's notion of the" readymade";

我们也有丰富的幽默感，大胆且善于忍耐的」，他实践激进的、肆意的艺术创作，非自愿地表现马塞尔杜桑式的现成艺术；

The first part of the article analyse Marcel Duchamp's creation and exist tactics, discuss the relationship between the individual, art and strength of contempt society's alienation.

本文第一部分着重对以杜尚为代表的艺术家的创作及生存策略进行分析，论述个人、艺术及当代社会异化力量之间的关系；

The art career of Marcel Duchamp is an entrance which we understands Duchamp, and also a jumping-off point which the text discuss Duchamp from advocating art to opposing art.

杜尚的艺术生涯是我们了解杜尚的一个入口，也是本论文在后面论述杜尚从艺术走向反艺术的过程中一个起点。

As for dislocation, Marcel Duchamp said that all one needs to transform an object into something new is to place it in a context that effaces its function.

对于混乱而言，马塞尔•迪尚（Marcel Duchamp）表示，要将一个事物变为一个新事物，人们所需要的就是将其置于模糊了其功能的环境中。